The pieces in this notebook begin with a single instruction to the atelier: take the colour out, then put a quieter one back. Each garment is fitted on a wooden form, marked with chalk, and rested overnight before any seam is finalised. This is a slow practice that resists the calendar.
To dress without ornament is not to be unadorned. It is to choose the cloth as the ornament.— Studio note, March
Light, in our work, is the second material. A wool that looks bone in the morning will look ash by evening. We design for both readings, and prefer the one we cannot fully predict.